Wednesday, November 20, 2013

Gma's Stash Box

My grandmother — Carol, Ma, Gramma, Grams, GG, and, I'm sure, countless other variations — died this spring, 2013, at the age of 90, a strong and hale woman her entire life, and mentally aware to the end. She was the mother of 8; grandmother, great-grandmother, and even great-great-grandmother to I don't know how many, but I'm sure she did.

Grams was a Dust Bowl/Depression kid in the Great Plains, so she knew not to waste. She was also the daughter of a seamstress, so making, remaking, and conserving were in her blood. Plus maybe a touch of the hoarding.

I was out of town for Gram's funeral. She was a materialist (and not just the quilting kind) and a realist, and, like my grandfather who died the year before, would have found a funeral to be an unnecessary fuss. Of course, we know that funerals are for the survivors, so since it wouldn't have resonated with me, and wouldn't have meant much to her, I didn't make it. That was the weekend I went to Chicago and had one of the best weekends of the past decade, and there's no question in my mind that she'd have rather had me go do that.

At my birthday party the following July, my sisters brought me a hat box full of Grandma stuff, cherry-picked from her crafting stash. I mistakenly called it, with all good humor and appreciation, a "box of random stuff" and was corrected that no, my sisters picked these things out for me intentionally. Which made it a gift not only of/from my grandmother, but also of/from my sisters. Any time you select something with me in mind, and make the effort of getting it into my hands, it's very special to me, be it a diamond ring or a wad of embroidery floss.

The party was in full swing, so after lightly looking through the bits and bobs in the hat box, I set it aside with my (increasingly out of control) crafting stash. It's been there since, visible and safe but not really explored, until last night.

Cleaning and organizing after a sewing project, I looked at the big round box and decided it was time to dig in and see what was really inside.

mostly embroidery flossI have to start with the box itself. It looks like the sort of pressed paperboard affair you'd get at a big craft store, papered on the outside with copies of old hand-written letters. Americana at its finest. And that's what it is — except these old hand-written letters were put there by my grandmother herself, photocopied from her collection of our family's history.

She wasn't only a natural lodestone for history; she went out and did the research herself. As a kid, I remember a regular topic of conversation being what new things Grandma had discovered about our family. And really, most of it not even her family, but rather my grandfather's line, the one she'd married into. But it mattered to her not because it was her blood in the past, but because it was important to her blood in the future.

I don't know much else about the way-back of my family, but because of her work, I do know I have unbroken documentation back to the American Revolution, when a young Hessian soldier named Kasper, hired by the British, decided these Colonials were on to something, and defected. He changed his name, married an American girl, and settled in to family life in Tennessee.

Just like that, we became German.

Before Gram's research, we'd thought for generations that we were Scottish — the current form of my last name is Scottish. But a couple centuries of re- and mis-spellings back, our last name was about as German as it gets without umlauts.

yours trulyThe letters on the outside of this box are, as much as I can read them, mundane letters between family members — mundane until I take a moment to reflect that one of them is from 1881, and the original was in my grandmother's possession. I'm embarrassed to say that I'd never taken much interest in the research and documentation that she did, but I'm also happy to be able to say that she did it, we have it, and you can bet I'll be looking through all of it soon.

True to the labeling on the outside, the box mostly held embroidery floss and silk ribbon. I already have too much of the stuff myself, and none of it was especially precious. I set that aside and dug for better treasure.

Gramma did a lot of beadweaving, what she called "tatting" from the old lace-making practice she and her mother both enjoyed. Over the years, she'd given me pounds and pounds of her excess beads, especially when she got older and working with the tiny seed beads I love became increasingly difficult. In the box were not only a few small zipper bags of glass beads, but a couple small strips of worked netting and right-angle weave. There's no real indication where these pieces were going, so I don't know if they were projects that were forgotten, or maybe just bits of practice. In my beadweaving days, it wasn't unusual for me to aimlessly fiddle with bead and thread to practice, learn, or keep myself busy. I've never had to wonder where I got this tendency from, but holding those pieces in my hand was a solid reminder.

I found one of these unfinished objects, a long, light blue netted strip, in what I recognized as a box made from a greeting card. Reduce, reuse, remake, I told ya. As any crafter would, Gram had her share of specialty plastic storage, but I can't count how many small bundles of beads I got from her closed up in little boxes she made from Christmas and birthday cards she'd gotten. After fondling the silky netted strip (my love of the feel of woven glass beads continues!) I looked inside the boxlid and noticed handwriting in pencil. So I unfolded it:

Junior
Dear G.G.,
Thank you very much for the picture and the lucky $2 bill. I will cherish it, carry it where I go, and never spend it. I wish I could explain how thankful I am, and how much I love you. I will tell my mom to take me to visit you, very soon. I love you!
(heart) Junior

This changed the timbre of everything I was doing.

Up to this point, I was really just organizing my stash, pushing things around, seeing how much of the stuff in this box I could actually use. Then, there in my hand was what in a hundred years someone would consider another mundane letter between family members — except that these family members span four generations, and they're my family, the family I know.

"Junior" is my nephew, although doesn't call himself Junior any more. He's Daniel now, and is in his 20s. He wrote this card as a young teenager, maybe a little before (there's no date anywhere on the card).

"G.G." is, of course, my grandmother, his great-grandmother: his mother's mother's mother.

I took a quick iPhone pic of the note and MMSed it to my sister. She messaged me a few minutes later, after she also sent the picture to Daniel. "He still has the $2," she told me.

Of course he does.

I asked my sister if she wanted the card, which seemed pretty obvious to me. We don't see each other often, although we only live about 20 miles apart. I offered to put it in the mail for her, which seemed to me the most efficient way to effect the transfer. She responded, "What are you doing for lunch Friday?"

•  •  •

Last week, I spent some time in Philadelphia, marveling at historical documents by people — families — who shaped that city, and ultimately the country, our culture. People I had never heard of, yet instinctively respected as I looked at the thin lines from their fountain pens.

My family has a record, too, written and unwritten, which shapes our country and culture: from a young soldier who followed his conscience, to a teenaged boy who unreservedly told his GG how much she meant to him.

The materials from Gram's stash box will get used. I learned enough from her to know that I shouldn't let anything go to waste.

And Friday, I'm having lunch with my sister for the very same reason.


Thursday, October 31, 2013

Teller and (my) Houdini

Hey, remember this project I did a couple of years ago?

Houdini Finis

It's my itty-bitty Houdini cross-stitch that I made for Teller. I planned it for his February birthday, and wound up giving it to him on my July birthday. Hey, dates are arbitrary and time is an illusion.

Teller was gracious, as always. He said, "Oh, I know exactly where I'm going to put this. I have a Houdini grotto in my home..." (Did he really say "grotto"? I like to think so, but the truth is lost to history.)

To which I dorkily responded, "I know." Because I had read about his Houdini collection.

The next day, when I was in the Penn & Teller theater again post-show, Teller called to me by name from across the lobby. "I showed your Houdini to a couple of people. My wardrobe woman remarked that it's particularly fine work." And then, as far as I can recall, I blacked out.

FF to a week ago when I was sitting in a local coney, having lunch with my iPad. (Coneys are, as far as I can tell, pretty much a Detroit thing. I didn't realize this until recently, when I saw a little bit more of our country. Here, Coney Islands are two to a corner. Everywhere else, well, they're whatever that region has for diners.) Someone I follow on twitter had tweeted an article about Teller which appeared in Esquire magazine last year. I thought I'd already read it, but doing a quick scan of the article, it was clear I had not — because there's no way I'd have seen this photo before and not flipped my lid.

Teller and Houdini by shefightslikeagirl

You see that up there on the left? In the corner of the window well? The bright red frame in that room of amazing artifacts including the got-dang Houdini cross?

I had never really wondered before whether Teller's consistently generous, gracious, effusive manner was genuine. I mean, to a large degree, does it matter? I've met him on several occasions, and he's always been the model of what "celebrities" should strive for, in my opinion. Does it really matter whether he meant it when he appreciatively told me he had just the place for my gift in his home?

Well, I can certainly say it means the world knowing that he did. And that four years later, my little contribution to his collection still has a place.

Teller in Esquire 2012

Sunday, August 25, 2013

In new news: I'm looking for work!

I'm officially on the job market.

I'm looking for full-time work, but I'm available for lots of different options. If you look at this site, you've seen some of the things I can do, creatively and craft-wise. In my professional life, I've been a graphic designer and production artist for, oh, let's just call it many years. But my skills really encompass a variety of creative areas, including writing and voice recording.

So if you've liked anything you've seen, read, or heard here and you think I might be able to contribute to your company or project, please email me and we can talk details. (And yes, I will relocate.) shefightslikeagirl at gmail


Monday, August 12, 2013

I was interviewed for the Project Archivist podcast...

featuring DC-in-Detroit

Hey people! Here's something from my non-crafty life.

I recently had the pleasure of a long talk with Roejen and Lobo, the minds behind the Project Archivist podcast, along with frequent guest/contributor/smart guy Tyler Kokjohn.

I've been a long-time PA listener; the show covers esoterica, spooky things, and general weirdnesses, with an air of open-minded curiosity. Turns out, Roejen is a local, so we've run into each other once or twice. A recent conversation we had over a couple pints of mead turned to the topic of dreams and sleep states, and we both agreed it would be a good topic for the show. Sleep paralysis and other sorts of sleep disturbances provide a crossover between "skeptics" and "believers" in a way that I don't often hear discussed.

So we discussed it.

The show is about an hour and a half long, and it was a good, spritely conversation. At least I think so.

Listen here.

Greetings Archivists!

We are the music makers and we are the dreamers of the dreams...

In this episode Show listener Dorion joins us to talk about the strange world of sleep disorders. We take a look at Narcolepsy, Sleep Paralysis, Cognitive dreaming, Lucid dreaming, Night terrors and Hypnagogia. All of which she experiences or suffers from!

We also take a look at how these conditions of consciousness could be perceived as paranormal experiences and describe what it feels like to have one. Later at the end of the interview, a few listeners call in with their own experiences. Yes, that other voice in the back ground is Tyler who joins us as a guest host just to add a bit more coolness and logic to the topic.

Friday, August 02, 2013

Zombie Kitty wants BRAAAIIIINS!!...and catnip.

BRAAAIIINS!!!

Hey, have you seen the zombie kitty catnip toys I made that I'm selling on my Brocade Lion etsy store? They're gruesomely adorable, and I have it on good authority that they are irresistible.

Some testimonials:
"I owe you $14. I was going to put your cat toys in the shop today, and our asshole cat went and stole one of them." —Friend with a boutique shop, whom I cannot name because she called her cat an asshole.

"All hopped up on your catnip meth, my cat went and killed a bird today. I HOPE YOU'RE HAPPY." —Friend I also cannot name to protect the guilty.

I have a handful of different colors up in the shop right now, and will be making more all the time. Custom orders are always entertained, so if you have favorite color combinations, let me know, and it's no extra cost.

There are also embroidered vintage ties, and some big bright polka-dotty convertible necklace/bracelet combos.

Go check 'em out, and buy something!

Sunday, July 14, 2013

1979 Fitz & Floyd parrot pitcher and matching napkin rings for sale.

Hey everyone. In case there are any parrot lovers or vintage pitcher collectors out there, I wanted to let you know that I am selling this nifty Fitz and Floyd parrot pitcher, with four matching napkin rings, on ebay.

You can check out the listing here.

Edit: SOLD!

Tuesday, July 09, 2013

My revamped etsy store is UP! brocadelion.etsy.com

Check it out, folks. I've repopulated my formerly dormant etsy shop:

I've reposted some items I made shortly ago but didn't yet sell, and there are bunches of new things to come.

Come visit, and keep visiting, because I've got some things in the hopper waiting to get posted!


   brocadelion.etsy.com

Machine Shaming

Inspired by this blog post from Urban Threads, I took a couple of pictures of what had happened to me today, literally moments before I saw the post. (Yes, I was taking a frustration break.)

Trying to stitch out something I've done several times, I decided I didn't need to completely keep an eye on dear old Rudy there, until I heard a tell-tale *clunk*. Somehow it had managed to wind the upper thread around the bobbin, so desperately, after I cut the project out of the tangle, I had to actually break the bobbin to get it out of the guts of the machine. What a mess.

Seems fine now... But it canNOT be proud of itself...

Machine Shaming by shefightslikeagirl Machine Shaming Machine Shaming

Thursday, June 27, 2013

Embroidered/Cut/Sewn Felt Rob Doll

My latest favorite project!

Rob Doll by shefightslikeagirl
I have a friend, Rob, who moved out of my town a few months ago. I'd had this project in mind right about since he pulled away. There are some people who lend themselves easier to cartooning than others — Rob is one of the easy ones. He has several easily-distinguishable characteristics; bright blue eyes, black eyeglasses, an adorable strawberry mouth, and most horrifyingly of all, he's a natural ginger.

I'd never made a doll of a person before, but the setup came to me quickly. And it started in Adobe Illustrator.

Rob Doll

I had intended to hand-cut the felt for the  [counting] 6 pieces that make up the illustration. As I was contemplating how I would transfer the cutlines to the felt (probably by printing on plain paper, lightly spray-adhering the paper to the back side of the felt, and scissor-cutting along the lines), something came to my attention: The Silhouette Portrait (and the bigger one, the Cameo). Silhouette was in the midst of a big blog giveaway, and I must have entered to win the thing about 100 times at 20 blogs over the course of a week. By the time all the sweepstakes were over, I hadn't won, but I was convinced I was buying one, especially when I found out fabric-cutting was an on-label use.

The included free Silhouette Studio software does a lot, but it doesn't do what I really needed, which was to import Illustrator (vector) files, while maintaining editability. The upgraded Studio software does, however, and does it quite well.

Rob Doll
Once the illustration was imported and exploded (kaBOOM!), I had to tell the software what to cut. As each piece was still a vector object, defining the cuts was as easy as a click.

Rob Doll At my local Joann, I picked out some felt colors that I thought suited him well, including a nifty embossed brown felt for the jacket. (I was thinking plaid, but that just wasn't going to come together well enough.)

Then it was cuttin' time!

The Silhouette Portrait I got was the fabric-cutting bundle, which included two types of fusible interfacing and a fabric-specific cutting blade. Looking around the site, I didn't find any recommendations for felt, which as you know, is a different animal from your typical quilting cottons. I think because the fabric bundle is a relatively new thing, there isn't yet a lot of chatter about it, at least not where I looked. When I didn't find the details I was looking for, I decided screw it, I'll just forge ahead.

Silhouette sells two kinds of fusible interfacing, one intended for the cleanest cuts, and a slightly lighter weight version intended to be more easily sewable. I did a test of the clean-cut version fused to the back of a sample of craft felt (which is relatively thin) with the fabric blade set to the deepest setting, 10. It cut beautifully.

Rob Doll
My intention was to fuse the layers of felt together, so I decided to try cutting with two-sided Wonder Under, which has a similar feel to the Silhouette interfacing. Basically, the felt (or fabric) just needs something extremely stable to keep the fabric from distorting or pulling under the blade. The Wonder Under did the trick, even with the skinny parts of the eyeglasses. I had to clean up some of the fuzzy edges a teeny bit, but that was worlds better than cutting it all by hand. I also expanded the whole outline (in Illustrator) and used that to cut a shape for the background field out of a swank leopard cotton.

Now, about his sweet little face.

As I've mentioned hundreds of times, I have an embroidery machine (hi, Rudy!). I intended to embroider the little details of the eyes and mouth right from the start. What I had to figure out was how to do it to register the shapes between the embroiderer and the cutterer. What I wound up doing was executing the embroidery first on a big piece of fleshy-colored felt. Then I took advantage of an awesome feature of the Silhouette Studio software, the print-and-cut.

The way that works is that you print your design from your inkjet (or whatever), including registration marks in the corners (which Studio automatically puts in place). Then, you stick your printed paper on the cutting mat, and the Silhouette actually scans the page for the registration corners, and then cuts appropriately. I'd tested out that feature a couple of times, and found it remarkably accurate and consistent. I printed the face shape, with eyes and mouth in place, on plain paper with registration marks. I stuck that down in place on the carrier mat, then spray-adhered the Wonder Under-backed embroidered felt on top of the outline, inside of the printed registration marks, registering the eyes and mouth (on a light table).

Got it?

With that in place, the Silhouette scanned the registration marks, and cut the face out correctly, first-go.

Rob Doll

Have you ever seen anything more adorable? No, you have not.

At this point, it was just a matter of sandwiching the layers together, in place on the leopard backing, and pressing it together to adhere the Wonder Under.

Or so I thought.

I wasn't happy with the level of adherence from the Wonder Under alone, so I decided to hand-stitch around the perimeter. That lasted about 4 stitches before I realized how much of a mess that was going to be. It's not that I don't enjoy hand-stitching — I actually do — but it takes ages, and I'm not always good about keeping the stitches even. Believe it or not, I'm much better at doing extreme details with my trusty Husqvarna (hi, Nigel!). Using matching threads, I stitched around the hair, face, jacket, and shirt/pants.

Oh! I forgot about the shirt!

Rob DollI couldn't just put him in a plain t-shirt, so I wanted to find a good symbol that would read at only 1" high (and skinny). Rob is a bigtime movie guy, and I happen to know that his favorite movie is The Discreet Charm of the Bourgeoisie. Not exactly privileged information; he has a tattoo of the poster image on his arm.

I took the image, broke it down to one color, outlined it, and converted it for embrawdry. As the registration was less tricky for this part — it just needed to be centered — I cut the shirt/pants shape out first before embroidering the obviously-simplified icon.

Now firmly stitched down to the background shape, I stitched, turned, and stuffed in the traditional way. And voila! My little Rob doll.

I found a little snap-top container that he just fit inside, coffin-style, and sent him off to Rob's new home on the other side of the country.

Yes, of course I gave it away. I wanted to make it for Rob, and so it needed to wing its way to him. I hope they're very happy together.

IMG_8775.jpeg

PS The Silhouette Portrait, which is the smaller model, is tiny and lightweight. Portable enough that I could find a place for it in the sometime-chaos of my work table.

Rob Doll

Friday, June 14, 2013

Spent the weekend in Chicago with the Stranglers...

For those interested, I wrote an extensive column about going out to Chicago to see the Stranglers last weekend, 7-8 June. The column, an audio clip of JJ Burnel speaking with me, a video of the band, and my photoset can be found at my other blog here.

Never let it be said I'm not a content producer. :)

Sunday, June 09, 2013

The Stranglers Embroidered Jacket

Rattus Norvegicus by shefightslikeagirlYesterday I created a machine embroidery version of the iconic rat image from The Stranglers debut album, "Rattus Norvegicus." I had purchased this vintage white denim jacket at resale for exactly this project -- I didn't expect hooping the jacket to be such a major PITA! That zipper complicated everything, but that's exactly where I wanted the rat to be. Eventually I got it hooped up, and the stitching looks great.

The Stranglers are easily one of my top-5 all-time favorite bands. I saw them their last time in Detroit, which was twenty years ago (ow my mortality)! I've been super-excited for this show for months now, and wanted to make something to wear that was appropriate and an in-joke wink.

I'm happy with how the stitching turned out, risky as it was, jamming the jacket in that hoop. I woke up this morning super-excited for this show...which is now postponed until September. D'oh!

ADDENDUM:
I was too excited to see The Stranglers to risk somehow missing them when they come back through my town in the fall, so I drove out to Chicago this weekend to see them. I had originally intended to drive out Friday morning, see the Friday night show, and then head home Saturday early afternoon, but the show promoters were so fun, friendly, and generous, they invited me to come to the Saturday show as well -- which I did, thus giving this jacket a two-day debut. And I have to say, it was a smash hit. I didn't expect that the band would be selling their OWN embroidered jacket -- a very cool black work jacket (which I am somehow forgetting whether it was Carhartt or Dickies) -- which prompted a couple of people to ask me "how'd you score a WHITE one?"

I kept telling everyone it was a "limited edition...of one."

Friday, June 07, 2013

Check out this monsterrific new game...

A good friend of mine is doing something really cool, and everyone should see it.


He has designed this board game -- his second -- and he's doing the Kickstarter thing to fund it and get it out to The Peoples.

Ben is a monster guy; he knows almost as much about monsters as I do. And this game is all about monsters: zombies, vampires, werewolves, and worst of all, post-apocalyptic dudebros. It's called Undead Apocalypse, and it looks pretty sweet. I don't understand much about how it plays -- I don't play these kinds of things -- but it LOOKS, as I say, pretty sweet. It's worth it for the werewolf figure alone. 

Yeah, okay, I admit I'm biased... not because Ben is a friend of mine, but because I'm a secret werewolf. Evidently.

Werewolf
Werewolf
Grab the avatar image below to show that you are on Team: Werewolf
Which Apocalyptic Leader Are You?

Wednesday, May 08, 2013

Batty Bag

Batty Bag by shefightslikeagirlIt seems that however many bags a person has, she'll always have a couple of go-tos. In my case, there's this painted denim bracelet-bag that I got at a resale store which tends to be my first choice for nights out. Not because it's fancy, but because it's small (but just the right size for needs and extries), indestructible, and the bracelet closures mean I can cram it on my wrist and not worry about it for the rest of the evening, no matter how blurry it gets.

The problem with that bag is that the motif -- "LOVE HURTS" -- is, how can I say it, very ... shit, what's that dooshy t-shirt brand? You know the one I mean. Yeah, it's very THAT. Plus the metal bracelet rings can get a little uncomfortable.

Batty BagSo, I sketched out a similar design, and took a couple of swings at it myself. After 3 or 4 prototypes, I decided to go whole-hog and try it in vinyl. (Those of you who work with vinyl will understand that it's a very different [faux] animal.) I'd already embroidered on vinyl with my dear Rudy and knew it was a great base for open designs. I had this adorable scrollwork bats design from Urban Threads (of course), and after editing the eye-colors, I stitched it out on some pebble-texture upholstery vinyl I had lying around.

And it turned out so! good!

Batty Bag InteriorI assembled it with some night bats quilting fabric I had in the stash, and added a magneto purse snap for a little extra security.

It needs a little tweaking to deal with the multiple folded vinyl layers, but this version of it is very usable. The way it works is that it can be carried as a regular wristlet, or -- and this is my favorite -- the wrist strap can be fed through a D-ring at the opposite side to round the bag off and make it bullet-proof.

It's a killer little bag that I don't have to worry about losing, falling open, or setting it into something wet. If only I could say the same thing for the rest of my wardrobe.

Batty Bag


Tuesday, March 26, 2013

2 New Leggings...Pairs

2 New Leggings...Pairs by shefightslikeagirl
Man, I love this spandex. LOVE. IT. I'm going to make another 100 pairs of leggings from this stuff, because it's perfect summer wear. You know how some fabrics just always feel cool? Not because they are flowy, or ventilated, or wicking, or any other weird thing... it's just magic. Like the way powdered sugar feels cool in your mouth. Slinky spandex has that same kind of effect. And the new printed patterns? Spectacular. I whipped these up this weekend.

PS Just because catalogs show women wearing leggings with nothing more than a t-shirt, doesn't mean that's how they're supposed to be worn. They're just trying to show the goods, just like they do with pantyhose. You'd wear a skirt (or something) with pantyhose, right? So, wear something over your leggings, too, for crissake.

Embellished Skirt

Embellished Skirt-Embroidered Harris Quote by shefightslikeagirl Embellished Skirt-Front Embellished Skirt-Back Pocket Embellished Skirt-Back PocketBeen putting stuff together for my latest convention, the American Atheists 50th anniversary con in Austin, TX, this weekend.

I always feel better-represented in new environs when wearing something I made. I made a new shirt for this trip, with some beautifully soft knits, but it's not all that exciting to anyone but me. The main piece is actually an embellished skirt.

As I've mentioned before, I'm just crazy for my embroidery machine (my dear Rudy). One of the major challenges in working with it, though, is lettering. It's very difficult to get exactly the right tension balance for any small/detailed stitch work, but lettering is particularly devillish because any flaw is so screechingly obvious.

But I loves me some words, so I decided what I wanted was a great quote, on an awesome background, added as a detail to a skirt I already own and wear (so it'll be more than a one-time-garment).

I started with the fabric. The last time I was at Joann, I'm pretty sure I'd looked for this "universe" fabric and didn't find it. So I wasn't even thinking about it when it jumped out at me from the quilting department. I just love the colors and the...impossibility of the design. Grabbed a yard. Next came the skirt. The last time I purged my closet, I gave a friend 27 skirts that I no longer wore. I'm not exaggerating, that's the real number (she never wears pants, so this was a windfall for her). Even so, I have a whole rail of skirts left -- what can I say, they're the easiest thing to make, and now that I have a system down for making slinky leggings, I wear skirts pretty regularly myself.

Point is, I had a lot of options.

I chose this burgundy denim, as it coordinated nicely with the jeweltones in the quilting fabric.

Next, the quote. Speaking of options...
There are a lot of writers and thinkers whose words I would happily wear. Because ol' Rude has a 100mm x 100mm size limit, I needed to find a favorite that was pretty short, but still related to the overall design AND the conference. This Sam Harris quote from "Free Will" is one I especially like (whether or not it jibes with the overall point of the book...discussion for another time), and struck me as being quite apropos.

I found a nice little embellishment, edited it, made it 2-color, fit the quote in (I don't want to hear anything about the kerning JIM), and stitched away.

The finished apx 4" trim was intended to fit along the lines of one of the pockets in the front. The pocket is still completely accessible, and buttonable. With that stitched down, I decided to take a couple of particularly cool illustrations from elsewhere on the leftover fabric and place those into the back pockets.

Again, the pockets are functional and buttonable. All I did was rip the inner stitching from the trim around the pocket (that Gingher seam ripper...manoman), carefully trim a piece of the quilting fabric to fit under the edge (with a hem at the top pocket opening) and restitch the trim. They look perfect. [pat pat]

So if any of you heathens in Texas this weekend see this walkin' by, be sure to say hello.

Oh! I forgot to mention my favorite comment when showing a friend what I was working on. He said, "My, you have a lot of space in those back pockets." Wakka wakka!

Saturday, January 19, 2013

Moment of fear...

Have you ever had it happen where you are alone, but in public, maybe having a quick lunch at a local cafe, when something startling happens, something to make the entire cafe jump -- like perhaps a large boom sounds outside, or the power suddenly goes off -- and immediately when it's righted, everyone looks around in embarrassed relief, and maybe you lock eyes with a stranger and shrug and giggle in a "whew! aren't we silly!" sort of way?

I think what that moment is really saying is "I thought for a moment that we may have only had 90 seconds left to live, and I'm letting you know that you are the one I'd have spent that time humping."

Thursday, January 17, 2013

chicken man

feets by shefightslikeagirl

Chicken Man (with apologies to EAPoe)

It was warm in fall and far from home,
      in a port city down by the sea,
where was met a man fully stark of dome
      whom people would gather to see;—
And this man knew not how fate would lead
      to him giving a chicken to me.

I was a guest and he was well-known
      at this conference down by the sea,
but I watched him speak and my notes read "rrrow"
     as he stood on the dais before me.
By evening I knew would come the event
      that would introduce he and me.

The evenings were ours to explore the streets
      of the old city there by the sea,
to talk of hoodoo and grisgris and far-flung adventures
      and the nature of reality.
So that in the depths of the lengthening night
      I asked him to come with me,
to further explore the growing affection
      even a three-legged pig could see.

We laughed in the dark and continued to talk
      although long days had made us giddy—
yes!—that must be the reason that he exclaimed
     "I have slain a monster!" with glee.
"Tell me, tell me!" I begged, as he pressed me downward.
      "Read my fucking book" growled he.

So the conference ended, and our paths diverged hence

     me to my hollowed-out city—
     he to his red-dusted kitty—
And neither the angels of providence
      nor demons of productivity

Could ever dam our excited exchange
      via every technology.
 

Then on my favorite day, the PO wrote to say
     that they held a package for me.
In the midst of the crowd, I laughed out loud;
      the man had sent a chicken to me.
Of posters and postcards, of ties and surprises,
of the strangest exchanges and best interchanges,

     I will always hold dearest my plump Little Betty—
     and the man who gave a chicken to me.
 — July 2012

Wednesday, January 09, 2013

Were I made a different way

Were I made a different way
My homes could have been more peaceful.
    no falling walls
    no trembling beds
    no murmuring just outside

Were I made a different way
My nights could have been less eventful.
    no peering giants
    no banded snakes
    no shadow men at my bedside

Were I made a different way
The hauntings could seem endless.
    the temperature jump
    the vibe in the air
    the force holding me in place

Were I made a different way
The terror could be relentless.
    the weight as it sits
    the hand on my shoulder
    the leaning in close to my face

Were I made a different way
To believe would be so easy.
    in profligate myths
    in fanciful notions
    in the weakest, most superstitious fears

As I am made the way that I am
I know that it’s all chemistry.
— 8 January 2013

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Tuesday, January 01, 2013

NYE 2012/2013 Snake Headdress

NYE 2012/2013 Snake Headdress by shefightslikeagirl
I woke up feeling poorly on New Year's Eve morning. Everyone has been sick lately, but I knew I wasn't dealing with the flu that's been going around. What I didn't know was how long the blech was going to last, or whether I should commit to plans for the night. Turns out, I felt much better by early afternoon.

This meant I had to get serious about whether I was going to a party I'd been invited to...and if that meant I was going to make something special to wear. Isn't that 80% of the point of a New Year's Eve party? Besides, I figured making something would help motivate me to actually GO.

Based on something I'd seen online somewhere (don't ask me, I spend so much time looking at random pictures I could never retrace my steps), I decided a snaky headdress would be neat and...unrelated enough. So I dragged ass to the dollar store and got supplies.

A side note to that trip. As I was standing in line at the Dollar General, checking my email on my iPhone 5, I noticed the woman standing next to me, also checking her email on her iPhone 5. In line at the dollar store on my iPhone, next to a woman on her iPhone. Of the several ways of reacting to that situation, I decided to silently congratulate us both on our priorities.

NYE 2012/2013 Snake Headdress So, basically, snakes, wire, plastic headband, chrome spray paint (which never ever EVER dries on soft plastic, so don't paint rubbery snakes and then set them on anything like, say, your flesh, while wearing a necklace made to match, as you will have a big silver paint print on your chest by the time you get to the party, even if that does wind up a pretty funny story).

I have to figure out what to do about that, actually, the never-drying situation.* I'm wondering if maybe I lightly dust them with talc, or even dry-brush some black or dark grey acrylic on them...and then I stop thinking about it because, seriously, how often am I going to wear this? I'll just store it pointing upward so the snakes don't fuse to anything.

When I arrived at the party, the general response was, "Cool, you made that, right? ... Nice blouse, you made that, too, right?" My reputation precedes me, dontcha know.

*The answer is primer. There probably isn't anything I can do about plastic I've already painted: the headdress is always going to be tacky. I did a test last night with a similar toy and a spray primer, which I then finished with the same Krylon chrome spray, and it turned out great. The reason I'm so devoted to finding a solution is because Krylon chrome spray paint is awesomely chromey. It just seems to never cure on plastic. Now I can chrome all the toys I want -- and that IS going to happen.

**I spoke too soon. While the initial drying phase worked out well, after the plastic/primer/Krylon piece had set for a few days, it also become unusably tacky. Quest continues.

By the way, here's something I've recently concluded. Posting whole how-tos on this site is pointless. They're time-consuming, and I don't think anyone actually looks for/reads them. I keep my own notes for techniques that I need to reference, so anyone with questions will just have to ask.

Monday, October 29, 2012

Weeping Virgin Mary Statue

There's a whole post coming about this costume...!

Always a busy time of year; doubly-so for crafty types.

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